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      Gallery Talk: Kathleen Ash-Milby on “Jeffrey Gibson: The Anthropophagic Effect” in New York


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      April 11, 2019

      Thursday   3:00 PM

      235 Bowery
      New York, New York 10002

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      Gallery Talk: Kathleen Ash-Milby on “Jeffrey Gibson: The Anthropophagic Effect”

      Conversations · Exhibition-RelatedGallery Talk: Kathleen Ash-Milby on “Jeffrey Gibson: The Anthropophagic Effect”
      Cover Image:

      Jeffrey Gibson, HE SPEAKS TO ANCESTORS, 2018. Digital photograph, dimensions variable. Courtesy the artist, Sikkema Jenkins & Co., Kavi Gupta, and Roberts Projects

      Curator Kathleen Ash-Milby will discuss the history of the American Indian Community House Gallery in New York City, where she served as curator and codirector from 2000–2005. The gallery presented many important exhibitions of indigenous artists, including Jeffrey Gibson’s first solo exhibition in the city.

      This gallery talk is presented on the occasion of “Jeffrey Gibson: The Anthropophagic Effect.” Multimedia artist Jeffrey Gibson (b. 1972, Colorado Springs, CO) is the artist-in-residence for the Department of Education and Public Engagement’s Winter/Spring R&D Season: INHERITANCE. Gibson’s exhibition will explore the material histories and futures of several Indigenous handcraft techniques and aesthetics,

      including Southeastern river cane basket weaving, Algonquian birch bark biting, and porcupine quillwork, as practiced by many tribes across this land long before European settlers arrived. The title “The Anthropophagic Effect” alludes to Oswald de Andrade’s legendary 1928 Anthropophagic Manifesto, which argued that indigenous communities could devour colonizers’ culture as a way of rejecting domination and radically transforming Western culture to their own ends. Gibson notes that Indigenous crafts and designs have “historically been used to signify identity, tell stories, describe place, and mark cultural specificity,” explaining, “I engage materials and techniques as strategies to describe a contemporary narrative that addresses the past in order to place oneself in the present and to begin new potential trajectories for the future.” Employing techniques learned over the course of the residency, Gibson will produce a new series of garments that will be activated through performances and staged photo shoots in the Fifth Floor Gallery.Sponsors

      Support for Education and Public Engagement programs is provided, in part, by the New York City Department of Cultural Affairs in partnership with the City Council, and the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.

      Endowment support is provided by the Rockefeller Brothers Fund; the Skadden, Arps Education Programs Fund; and the William Randolph Hearst Endowed Fund for Education Programs at the New Museum.

      Full support for “Jeffrey Gibson: The Anthropophagic Effect” can be viewed here.


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