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      Expanding Perspectives: Our New York Histories in New York

      • Expanding Perspectives: Our New York Histories Photo #1
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      June 19, 2019

      Wednesday   6:30 PM

      2 Lincoln Square
      New York, New York 10023

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      Expanding Perspectives: Our New York Histories

      This panel discussion is a convening of contemporary artists and historians whose work shines a light on underrepresented and diverse histories of early New York City and how they impact our lives today. Photographer and visual artist Nona Faustine and artist and multisensory storyteller Beatrice Glow will speak about their projects that present counter-narratives to decolonize New York history. Historian and educator Jack Tchen will moderate the conversation.   Nona Faustine was born and raised in Brooklyn, NY. She is a graduate of The School of the Visual Arts and The International Center of Photography at Bard College MFA program. Her work focuses on history, identity, representation, evoking a critical and emotion understanding of the past and proposes a deeper examination of contemporary racial and gender stereotypes. Faustine’s images received worldwide acclaim, and have been published in a variety of national and international media outlets such as Artforum, New York Times, Huffington Post, Hyperallergic, The Guardian, New Yorker Magazine and the LA Times, among others. Her work has been exhibited at Harvard University, Rutgers University, Maryland State University, Studio Museum of Harlem, Brooklyn Museum, African American Museum in Philadelphia, Schomburg Center for Black Research in Harlem, the International Center of Photography, Saint John the Divine Cathedral, and many other institutions around the country. Her work is in the collection of the David C Driskell Center at Maryland State University, Studio Museum of Harlem, Brooklyn Museum and recently the Carnegie Museum in Pennsylvania. Her work is currently on view in the group exhibition Perilous Bodies at the Ford Foundation Gallery []. Beatrice Glow is an interdisciplinary artist leveraging participatory performance, painting, experiential technology collaborations, olfactory art, sculptural installations and video to shift dominant narratives. She is a 2018-19 Smithsonian Artist Research Fellow and 2018-19 Smack Mellon Studio Program Artist. She was a 2017-18 ZERO1 American Arts Incubator artist amplifying Indigenous and Afro-Ecuadorian voices. Her 2016-17 Asian/Pacific/American Institute at New York University residency led to virtual and augmented reality projects “The Wayfinding Project” and “Mannahatta VR,” and public installation “Lenapeway” in allyship with Indigenous environmental stewardship. She received a 2013 Franklin Furnace Fund grant for “Floating Library”—a pop-up public space aboard the Hudson River’s Lilac Museum Steamship that attracted 4,000+ visitors. As a 2008-9 Fulbright Scholar, she developed a migratory museum and trilingual artist book on Asian migration to Peru. Notable activities include solo exhibitions "Spice Roots/Routes” (2017) at NYU Institute of Fine Arts, “Aromérica Parfumeur” (2016) at Museo Nacional de Bellas Artes de Chile and “Rhunhattan Tearoom” (2015) at Wave Hill; group shows at Honolulu Biennial 2017, Park Avenue Armory and Galeri Nasional Indonesia; and a Duke University Press’ Cultural Politics Journal artist feature. As a Hemispheric Institute Council Member, she co-founded the Performing Asian/Americas: Converging Movements workgroup. John Kuo Wei Tchen is a historian, curator, and writer. Professor Tchen is the Inaugural Clement A Price Chair of Public History & Humanities at Rutgers University – Newark and Director of the Clement Price Institute on Ethnicity, Culture & the Modern Experience. He is founding director of the A/P/A (Asian/Pacific /American) Studies Program and Institute and part of the founding faculty of the Department of Social and Cultural Analysis at New York University, NYU. He co-founded the Museum of Chinese in America in 1979-80 where he continues to serve as senior historian. He was the senior historian for a New-York Historical Society exhibition on the impact of Chinese Exclusion Laws on the formation of the US and also senior advisor for the two-hour “American Experience” PBS documentary with Ric Burns and Lishin Yu on the “Chinese Exclusion Act.” Yellow Peril: An Archive of Anti-Asian Fear (2014) is a critical archival study of images, excerpts and essays on the history and contemporary impact of paranoia and xenophobia. He is also a founder of the New York Newark Public History Project (NYN PHP), funded by the Ford Foundation, which will reframe the history of the estuarial region starting with the twined foundational histories of dispossession and enslavement (work emerging from serving as a Commissioner on the NYC Mayor’s Commission on Monuments.) His Below the Grid Project is pioneering creative historical storytelling with smart, location-sensitive wearable tech.   Image: Mannahatta VR (work in progress), is an interactive virtual reality experience that envisions the pre-colonial landscape and sustainable futures of New York through the collaborative lens of Native culture bearers, artists, technologists, ecologists and historians. This is a collaboration between Beatrice Glow, The Wayfinding Project at the Asian/Pacific/American Institute at New York University and Alexandre Girardeau of Highway101, ETC. Featured in this image is Chief Vincent Mann, Turtle Clan Chief of the Ramapough Luunape Nation.

      Categories: Performing Arts

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